belgium based fabrice lig is nothing else than a phenomenon of techno music. the list of high profile imprints where he released his music, like planet e, r&s, kms, third ear and playhouse is unique. marc romboy: „i m very proud and glad that i could sign such a legendary artist to my label. i m playing all three tracks in every set and wish there would be more real techno music like this.“

nice price deal !!! we welcome our dear friends from milano, boogie drama aka lele sachi and sandiego once again for a dancefloor destructor on moodmusic. the duo has recently delivered hot 12-inches for 2020 vision and systematic and kept their profile well in demand for the past 2 years. lele, known from his residency at the magazzini generali in milano is a proven veteran in the italian house scene and his partner sandiego is an absolut wizard in the studio bringing their refinded sound to a dancefloor near you. the conspiracy pt. 1 builds on arpeggiated synthlines and a moroder like bassline dropped on top of driving beats and a super duped arrangement aimed for the floor but keeping it intelligent enough to be played for more discerning crowds. pt 2 takes a more housey approach, taking a note from the hamburg school of modern deep house with stabby keys, a big chunky bassline and some neat effects. a surefire floor filler. sasse delivers one of his rare remixes for his own imprint, stretching the arrangement into 12 minutes of bliss, mixing in a proto house feel with a balearic techno touch to it. think detroit in 1992 but produced with modern means and add one of the meanest basslines this side of the pond to the picture. well in demand allready by ewan pearson, dirt crew and todd terje, this is destined to be big

nice price deal !!! his >sleepy hollow< on innervisions is regarded as the anthem of 2006, gaining respect from all over the place. this year stefan goldmann is back with his own label macro and the next level of post-minimal modernism: >aurora< and >beluga<. both already are a central part in the sets of richie hawtin, Âme, luciano, damian lazarus, loco dice, steve bug, peter kruder and the lucky few who already have it on cdr. stefan has released through high profile labels like innervisions, perlon, ovum and classic. he recently also became one of europe s most in demand remixers with highly acclaimed reworks for blackjoy, marc romboy, it and … coming up soon: dj gregory. so, macro is destined to be a premier platform for both, stefan s genre-bending outings and the utmost in quality by likeminded artists. what a start

the contemporaly house tracks which combine his established heavy groove, smoothness & beautiful essence! -secret floor 002- misterious, raw feeling & the roop of vocal sample are intertwined together to be miraculous sounds-saturday night- melodious and uplifting house track-o-nature- unique sound quality made by mpc & the trumpet sample greatly melt together -sky lounge- slow down...dope track with a spice of japanese sample blackoly profile:dj, beatmaker, and sound producer in tokyo, japan. born in 1981, his parents taught him to play in a forest and make what he wants to play by himself. started his dj carrer when he was 19.the first track he played was -bucktown- by smif-n-wessun. in the ensuing year he started making tracks under the name of dj shibaki. kept releasing his own tracks by casset tapes and cd-r and released -document-(12-) in 2006. after that he released mix cd -abstract- and -gravity-, and he has done around 100 of play in a year with his style of going back and forth freely among various sounds evolving abstract, breakbeats and hiphop.in 2009 he played together with dday one, dorian concept without knowing who they are. when he played together with dj kensei, he got a meaningfull comment -do you always do such a mix?- in 2010 he became immersed in creating tracks with mpc2000xl which was not not used for a long time, and started doing dj & live only with his own tracks by using cd-r & kaoss pad. thereafter he started making house tracks under the name of blackoly influenced by house djs & dancers whom he has played with since 2000s. the various music in his background & the dancer s excitement on the floor like -house- atmosphere greatly melted together and it led to build his unique sounds. in 2013 he released -dirty channel-(12-), in 2014 -dr.circus-(cd), and his work continues to this time.

physical therapy makes his debut on spencer parker s work them records with a medley of club focused techno cuts. growing up in new jersey, physical therapy later moved to chicago, then new york, before finally settling in berlin where he s quickly built a profile as a stand out dj/producer. baktadust comes in the form of two tracks: the fast tempo main mix that combines peppy piano riffs and metallic effects, as well as a slower fried mix featuring cleaner chords and a sultry bassline. push me then demonstrates robust percussion, a rumbling low-end and eerie tremolo atmospherics before shadowy echoes and off kilter kicks conclude the release in spasm.

lost tapes recovered from the charred rubble of a post-apocalyptic melt down ‘kiss my smiling face’ is a relic from the distant future. pearl river sound has, to this point, kept a low profile - instead choosing to keep himself holed up away from the horror, emerging only briefly in 2015 to drop his debut 12” via the r&s affiliated meda fury records. in his latest outing, we are mercilessly pushed to the edge, eyelids forced open to witness the terror unfold…

not much is known about manchester based producer belly, his online profile merely states live artist & vocalist from the uk. what we do know is that he releases records on his own imprint belly dance uk and that the 3rd instalment in this series (produced by la s seth cobblepot) is yet again hard hitting and dark. following on from the previous 2 records, featuring timothy j fairplay & headman respectively, he has invited 2 more underground powerhouses, brassica & thinnen, to contribute their takes on his new ep simply entitled water

stl has been a firm favourite of phonica records ever since his first releases surfaced in the early 2000s. although he is highly revered within the underground scene, hes always kept a low profile and consistently pursued his own blend of boundary pushing abstract and experimental house & techno. the majority of his music has been released through his own something imprint but his unique productions have also found a home on perlon, smallville and detroits echospace. the two tracks on the amplified bleep package ep marks his first contribution to phonicas white label series and were extremely happy have him on board.

„closed sessions“ is a little comeback for our small family business rivulet records, so we re very happy to get help from some good friends on this one. pablo mateo from lack, perseus traxx who has released on bunker and mos, mod.civil from ortloff in leipzig, profile from esthland and our very own stanley schmidt are artists who have been inspiring and exciting us for quite a while and who seem to share the same love for serious dancemusic. although the tracks are very different, the whole compilation is driven by a dark and moody vibe which doesn t let go the utopian and hopeful core of housemusic which has been the light we re been running for since one of these mornings… we hope you like what you hear, thanks for the support! yours sincerely, rivulet.

on007 comes courtesy of shadowy producer cliche morph. hailing from belarus, the young, low-profile artist created some buzz by his stand-out track *overwhelming fear* from last years semantica compilation index. part one. the immaculately produced on007 proves that track wasnt a fluke and solidifies his status as a talent to keep an eye on. the fanon flowers remix is the cherry on top.

swedish electro profile visit borft for a -end of the year- release. deep old school tech & electro. limited to 300 copies. handstamped labels and sticker...

craig peyton was a mainstay in nyc jazz and dance music beginning in the 70s. from playing on dan hartmans -vertigo/relight my fire- to his work on boogie funk productions with daryl payne, he is one of the unsung heroes of the era where disco transitioned into house music. his drum machine and synth based cover of william devaughans -just be thankful- came out on profile records in 1983, a daring move for a white man trained on the vibes. he gives the jam a haunting and funky rework that has only escalated in popularity over the years. it has been bootlegged extensively while original copies remain quite elusive.

vernon felicity is also known as conforce and boris bunnik, the tireless dutch producer who marries analog and digital sounds together into otherworldy sound tracks. now he is back on mos once more after a new conforce album on delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.

after making a great impression with its first ep, giant records serves up a second hot helping of house music from boss man grant dell, complete with fresh remixes by scottish techno stalwarts silicone soul. dell, also known as chicago transit authority, has been doing his do for 25 years now. as a dj he is at home in clubs in ibiza and barcelona as well as around the rest of europe, and is someone who always prefers to push his own brand of widely infused and influenced music than his own profile. once again here he comes up trumps with the emotive, glowing house cut ‘in your mind’. with a neat bassline and mid tempo house drums, subtle but effective synth smears add warmth and colour to the groove, whilst soul fuelled vocals add a real sense of personality. this is sure to get people grooving at any hour and comes with grant’s own space echo remix. as the title suggests it’s a more dubby and reverb rich affair with cosmic signifiers and sci-fi vibes pervading from start to finish. silicone soul need little introduction having been at the heart of real deep house and techno for decades on the soma label. their first remix is a darkroom dub - named after their own label - and is a seductively slo-mo and lazily unfolding house cut with languid synths that really suck you in. their lush hypnohouse mix is then a twinkling, late night bit of melodically rich deep house with starry skies twinkling above sombre chords. this is a patiently served but hugely alluring ep that is stuffed with plenty of tender feeling. one again then, both grant and giant have come up with the goods.

four labyrinthine excursions in psychedelic techno, from antonio marini. take a step back... move to the side, just a touch... there... acid, dub and free jazz, focalising like heat blisters, then healed in a flash. wayward flow, for example, with the ghosts of double bass and bongos swirling in from the margins. entheogenic freak-outs, with the left profile of robert hood, the right profile of vangelis. pressing on 180 gram vinyl.

endlich ist * pause*, das zweite album des elektronikpioniers four tet wieder auf vinyl erhältlich! ...
nach dem erfolg seiner post-rock band fridge begann kieran hebden seine solokarriere als four tet. nach der veröffentlichung einiger high-profile remixe, unter anderem für apex twin auf einer warp compilation, erschien sein debütalbum ‚dialogue‘ 1999 auf trevor jackson’s legendärem output recordings. sein bahnbrechendes zweites album * pause* erschien erstmals 2001 auf domino, und wurde von der presse oft als folktronica-album beschrieben. nach einigen jahren ist das album jetzt endlich wieder auf vinyl inklusive downloadcode erhältlich!

this is the second 12 inch vinyl release from vision collective recordings and features four original tracks. since establishing the label in 2011 in cork city, ireland they have built up a solid global following with 23 digital releases & one other 12 inch vinyl release to date. the labels releases have been supported by numourous high profile djs and radio shows.

head-honcho adam beyer delivers the next drumcode release following a monumental year from the techno heavyweight. two singles on the drumcode a-sides compilations, a multitude of releases on different labels, a 7 hour live broadcast from awakenings festival, 10 shows in ibiza for carl cox, cocoon and enter as well as an incredibly busy show circuit across the world. coming up there are a multitude of drumcode parties around the world including festival stages at major festivals and other high profile events. adam beyer is back on drumcode with an impressive array of tracks that will get the senses tingling and shows us what drumcode is all about. these 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only beyer can achieve within his productions. the under lying throbbing of the drums drives this ep into the forefront of the heads down drumcode sound and have been heard in many of beyer s phenomenal sets throughout the year.

as the music is research, pisetzky loves to get deep into bass lines of different sound dimension. his style is always powerful and melancholic, moving hearts and minds into multi layered soundscapes. he started producing in 2010 with the name fabiano valli as sound designer for fashion brands. since late 2013 he turned his profile into pisetzky, inspired by a growing milans techno scene, he started to realise his attitude into being active part of the project just - this. he already proved his musical research for the biggest europe festivals stages ( off sonar week, ade, amore, barrakud ), as in the finest clubs and parties. in the darkness of his studio or even on the hottest dancefloors, pisetzky shakes deeply souls and bodies with his dogged rhythms.

midas104 is a rising young producer which flies between pretty deep house and soft techno sounds. always hard at work his output is huge and after releases for high profile labels like katermukke,crossfrontier audio and parquet records he is about to release his next ep named humming top on ursl records this year

six years on from his debut album on cadenza, mirko loko returns to the fold with a follow up album (- comet plan -) and a single (- kolor -).
2009s * seventynine* long player helped catapult mirkos profile, not only as a producer, but also as dj, regularly spinning alongside the cadenza crew, and with detroit luminaries such as derrick may and carl craig. and its on this single that mirko invites friend and peer, carl craig, to remix under his c2 guise. wearing his influences on his sleeve, mirko is obviously indebted to the techno music of the motor city, and these classic detroit tropes are certainly used in the building blocks of the original mix of “kolor-, a sprawling and pacey intergalactic journey sprinkled with a dusting of xylophones, bells & chimes, as the melody is driven forward for a heady trip across the night skies.

in-beat-ween music continue their programme of remixes from lay fars much loved debut album so many ways with a second 12inch featuring the high profile talents of ashley beedle, peter oakden & craig smith, tommy rawson and aroop roy

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

x-press 2 are gearing up for an exciting 2015 with a formidable string of releases due on skint, and further high profile labels. but before they enter a new chapter we offer a set of un-released dance floor driven productions that wrap up the duos last few years of works and set of single/eps that saw release on the skint catalogue. this is mmxv.

russian label gost zvuk (roughly translates as state standards for sound) releases its well anticipated third record which is a courtesy of oleg buyanov - moscow s underground scene veteran also known as ol. inspired by some late soviet documentaries exploring russias nature and science, this musical adventure reflects olegs very unique take on nostalgic post-soviet neo-romanticism. driven by raw and jazzy house groove, this record showcases the work from one of the high-profile russian producers of our time. supported by the likes of huerco s, anthony naples and madteo. limited hand-stamped white 12inch

johannes heil and markus suckut team up for the new cocoon release and what they came up with is simply amazing! a techno monster! the two high profile producers seem to merge various techno influences out of the last 15 years here but they manage it to do this with their very own hand writing. the opening track intuition appears like robert hood and speedy j helped out triggering the right sounds in the studio.

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

soul jazz records new release black fire! new spirits! is a limited triple lp (with download code included) exploring deep, radical and spiritual jazz in the usa in the period 1957-1975.

eatbrain is back with a vengeance. this time around, jades quickly rising neurofunk label features the enigma known as kung. all at once infamous and elusive, kung has managed to retain a reputation as one of neurofunk drum & bass most exciting producers while maintaining a relatively low profile for the last few years. his tenacity in the studio and unique musical vision have made kungs label debut - devils finger ep - one of eatbrains most highly anticipated releases to date.

despite being an obsessive record collector for most his life, a globetrotting dj who s toured the world dozens of times over, a go-to remixer for numerous labels, both high profile and fledgling (dfa, mute, permanent vacation, warp, defected), co-owner of several imprints, lph itself being one of them, and producer behind a handful of house and disco tunes that started trickling out in the mid-aughts, jacques renault has managed to never release a true, honest to god ep comprised of originals. that s about to change with out of sync, a four- tracker that exemplifies all renault is, has been, and aspires to become —and that serves as a lead-up to his debut full-length, which will hit shelves next year

with very little music made available to the public lido established a cult following amongst the high profile djs that have been lucky enough to seure his unreleased remixes to play in their live set. these unreleased remixes - with their signature intro four notes acting as a craftsmen stamp (the same notes illustrated on the cover) - have led to numerous bootleg live recordings of the remixes giving an almost folklore-eque mythical quality to them

since the release of his previous album paradise for all, the profile of guts has grown a lot to become one of the main french producer and a recognized name on the european scene. his hit brand new revolution was played by many radios worldwide and even synchronized in grand theft auto v. his compilation series beach diggin is now a reference for summer and quality music.

5th release for serie limitee. as always: 300 copies, 180g, no digital and a mysterious bonus track by labels manager monsieur cedric himself. no need to introduce steve frisco his >psychedelic radio women< is another timeless masterpiece. profile is a fresh talent discovered in estonia. his track 25th is pure raw deepness. sl005 is also the occasion to welcome simon ferdinand. talented producer from hamburg, he has recently been releasing music on a couple of quality labels. and finally, jimini, a french producer who has already signed a few tracks on blind jacks journey, closes this e.p. with a hypnotic beatdown production. loud pressing guaranteed.

limited edition of 300 numbered copies on colored vinyl: 1st record white with black splatters, 2nd record transparent with black splatters.
ah the humble double pack, isnt there something so very satisfying about this format? sccucci manucci evidently thinks so as the nine bows ep is the labels second release in succession to embrace the double pack. it s another high profile cast that contribute to the eight tracks here, with montel, mikki funk, jackson ryland and aashton all featuring. it is the latter, brighton-based producer who opens proceedings with *i cant shake it*, a summer house anthem in the making that showcases his love of a classic rnb vocal. maverick follows with *wait for u* which is not only his sccucci debut but also the parisian s first production committed to wax - hard to believe! the mood swings through various shades of house from here with *lemme hold u* from montel a mid point highlight thanks to a killer vocal hook.

to listen to luca cazal describe his forthcoming ep, his first solo offering after being involved in some of the biggest and most profile releases of recent times, including infinity ink, luca c & brigante, invisible cities and of course global mega outfit hot natured, is to eavesdrop on a producer breaking through with a singular vision, taking aim directly at the dance floor

following its initial release in 2013 and its round of high-profile advert placements, fcl ‘its you is proving to be one of those tracks that just keep coming back better. featuring remixes by the likes of mousse t., hercules & love affair and nick holder, this defected remix package is sure to send ‘its you down the road to becoming a classic.

since and002 when derek kaye offered his skilful reworks of chaka khan s ain t nobody and players association s turn the music up , his profile has gone from strength to strength with a dedicated soundcloud following and a number of memorable club appearances, most notably at motion in november 2013 when he shared the bill with a&r edits curator greg wilson, closing the night with a back-to-back session - the first time the pair had dj ed together in over 30 years

the second vinyl release of deeptech is a sampler 001. a selection meticulously selected by label boss duky, whom yet again out does himself with this on-point compilation of four mind blowing original productions of fresh and innovative deep, dark and minimalistic, all showcasing the core sound profile of deep tech records. tracks by duky, brett jacobs, chad andrew and miro pajic

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

travelling to our extended network at the other side of the globe, we welcome australian producer safire and his very first dispatch recordings ep. emerging as one of the dark horses of the label of late, his debut ep consists of five superb tracks that combine raw elements with sophisticated production, to bring some of his best music to date. leading on from *power of thought*, safires contribution the transit 2 compilation, he heads straight for the jugular with title track *homeland*. deviating into 140 bpm territory on his second solo effort of the ep, *face your fear*, safire proves he can master all tempos. having previously joined forces with other artists for dispatch in the past, safire completes this ep by collaborating with yet more high profile artists. working with dlr on the ruthless *hurdles*, adding infectious vocals in *timeline* with cern, and sending out warning signals with minor rain for *transit*. each track is brought together with meticulously assembled drums, an ultra-high level of technical quality – you can expect to see a lot more from safire in the future.

sawlin & subjected - textures - by edlxs in-house designer jan willem van den ban consistent with their music and profile, the artwork for the sawlin & subjected releases had to be similarly dark and enigmatic.

this limited edition 7 vinyl from mcm, released in conjunction with headcount records is a little slice of history. the former lyricist and front-man of the pioneering uk hip hop crew, caveman delivers two solid joints. caveman was the first uk hip hop group to get signed to a major label and signed to profile records in 1990. the crew quickly established themselves as one of the uks most popular and versatile acts. over 20 years after the first caveman album, mcm is back. the a side cut, r.e.a.l (rhymes equal actual life) is featuring fellow high wycombe emcee c-lone and is produced by rinse dog with the cuts by mr brown. the b-side cut is through and through mcm.

italian producer domenico camarilla has hit a rich vein of form under the jose manuel guise of late, supplementing output on his own black pepper label with feted appearances for tusk wax, is it balearic?, lectric sands and citizen kanes disques sinthomme. given his profile, a union with the soft rocks affiliated kinfolk label makes utmost sense and jose manuel fans will find much to enjoy about ajna. both the title track and *the clear after the storm* are steeped in eastern mysticism and feature heavy percussion from the man manuel, whilst the accompanying soft rocks remix will appeal to fans of rabih beainis *tanki tanki* edit.

underground quality artist and fear of flying owner blm drops *easy knocking* this spring for huxleys saints & sonnets imprint.
blm, or ben micklewright, has been increasingly on the radar of quality house heads in recent years with output for underground quality and secretsundaze nudging his profile slowly but surely. his stewardship of fear of flying alongside jay massive has resulted in the label, in similarly steady fashion, becoming a mustcheck for fans of the deeper end of house techno who are seeking something that sidesteps trends.blm is at his best when turning in moody, hypnotic and robust house cuts imbued with a distinct uk stylings and that is exactly what he does on *easy knocking* while also turning in electroid tones on opening cut, *paris beatdown*. the result is a classic sounding 4-track ep that has picked up support from efdemin, hackman, djulz, citizen and mosca.

bristol native and musical wiz benjamin jacobs aka crackazat dazzled us since the first time we heard him a few years ago on futureboogie with his deep and jazzy electronic house not house sound. after a move to sweden and refining his characteristic music profile you will now find hints of floating points, faltydl, lone or underground resistance in his productions. its dance + music at its best and something truly special if you ask us! after a killer track (size up) on local talks off shoot label oneoffs and a bumpin piano remix for tony blitz our man crackazat is now here with his first solo release on local talk ... the candle coast ep. all three tracks are winners by themselves and its seriously tricky to single out any of them so its just up to you to choose your favourite cut. it wont be easy we tell you!

best known for his collaborations with kanye west on two standout tracks from the groundbreaking yeezus album (send it up and black skinhead) as well as high profile remixes for lana del rey and depeche mode, paris-based dj/producer gesaffelsteins solo work reconnects hard techno to its pounding industrial roots

since his first single masquerade dropped on vinyl just over a year ago, forrests profile has continued to rise, with releases on noir music and mobilee and forthcoming on visionquest.

after 10 years of existence in berlins ambitious music scene, golden gate club has achieved cult status in his own right through out the world. it is a very special place with its own living soul. yet a small venue it shows a high profile, distinct character and a very original and authentic spirit. to manifest this state, the golden gate club establishes ist own record label >ggcr<. the opening release carries the characteristic name >golden era< by swedish dj and producer anders hellberg. still a new member of the underground, his style strikingly represents what golden gate stands for. namely an impassioned, intense and organic sound with high recognition value. four tracks with the same ingredients but different prescriptions. an analog production through and through, with 303 based rhythms and blazing 80s pads. very intense and haunting but still guarding a sweet and hypnotic atmosphere.

with yooj and steve huerta delivering another deep track for the dancefloors avotre continue strengthen their profile. darius syrossian on the remix duty for make me bad, delivers the much loved and very successful signature sound of the leeds producer.